"Rome" movie to offer decent series wrapup

I was browsing Steven Saylor's website today and saw a blurb about Bruno Heller working on a movie script for "Rome" to serve as a decent wrapup of the original HBO miniseries.

[Image: Ray Stevenson as Titus Pullo. Courtesy of HBO]

I am ecstatic! Like many "Rome" fans, I couldn't believe HBO made such a monumental mistake when they canceled the series. I guess HBO has come to that realization as well:

"The lavish period drama ran for two seasons on HBO, which co-produced the series with the BBC. With the final season of "The Sopranos" as its lead-in, the first season was solidly rated. But the show's hefty $100 million production cost presented the network with a tough call on the pickup. HBO opted for a second season to help get more value from its initial investment but not a third, effectively canceling the show in summer 2006 before the second season debuted the following January. The "Rome" sets were destroyed, and the actors were released from their contracts, making the network's decision all but irreversible.

But season 2 of "Rome" was a surprise. Although slightly lower rated than the first, the show did much better than HBO expected without its "Sopranos" lead-in (averaging roughly 6.5 million viewers, nearly the same as "True Blood"). Plus it won awards, which is important to a pay network that attracts subscribers by offering premium programming: Post-cancellation, the first season received four Emmy Awards, and then another seven Emmys were heaped upon the final season.

Suddenly "Rome" was a Greek tragedy: a successful show with no future. The broadcast nets quickly snatched up the show's leads for top fall pilots.

HBO executives have since admitted that axing the show probably was a mistake. - More: The Live Feed

Apparently, Heller is considering picking up the story some years later in Palestine.

"Heller would not discuss plot ideas, but the original series outline for "Rome" next called for the hedonistic Roman leaders to deal with the rise of a certain problematic rabbi -- a story line that would have put a new Roman-perspective spin on the Greatest Story Ever Told and potentially bring "Rome" a larger audience." - - More: The Live Feed

I'm not sure this tactic would attract any religious viewers (if that's what Heller means) unless Heller tones down the visceral reality factor in the series. I hope he doesn't do that, though, for the sake of broadening audience appeal. It's the gritty nature of the series that made it stand out from the syrupy visions of the ancient world of many previous sword and sandal flicks. Of course its outstanding production qualities certainly helped as well. It garnered emmys for art direction, cinematography, costumes, hair design (must have been all of those wonderfully outrageous styles and wigs worn by Atia!) and visual effects.

I also found a brief interview on MovieWeb with actor Ray Stevenson who played Pullo in the HBO miniseries indicating the script is nearing completion:

Is the Rome movie still moving ahead?

Ray Stevenson: Apparently so. It is no longer a smoke and mirrors rumor. The script is in full development. As you are probably aware, this is a pretty strange process. We could go into production in a year, or it could be as quick as six months. Who knows? It will happen. At least it is no longer a rumor. From what I have heard, they are nearing the end of script development. We shall see. We shall see.

How excited are you to go back and play Titus all over again.

Ray Stevenson: I can't wait to dust off the cobwebs of old Pullo. The guy is going to come in with a high body count. I love Pullo. I love him to pieces. I had such a great time playing him. And I got to do it in Italy and Rome. He is very special to me. He is a very special part of my history. I was very blessed to get that part. - More: MovieWeb

I'll keep my fingers crossed and my eyes peeled! 2010 looks like its going to be my kind of year with a "Rome" movie sequel, "Agora", a movie about Hypatia starring Rachel Weisz and a Spartacus series on Starz!

Agora sounds like antithesis of Ben Hur

The new film "Agora" starring Rachel Weisz as 4th century CE female scholar, Hypatia, sounds almost like the antithesis of Ben Hur.

"The heart of the film is Hypatia (Rachel Weisz in an unfaltering performance), the fourth century AD philosopher and teacher who lived in Alexandria during the Roman Empire. Married only to her unquenchable intellect and passion for mathematics and astronomy, she is loved by two men: her slave, Davus (Max Minghella), and her student, Orestes (Oscar Isaac).

Politics in the film are weakest during the overtly political speeches and monologues, and best captured in the details. Like many, Davus seeks not spiritual salvation in the Christian uprising but freedom from slavery, despite the bloodshed. His first attempt at prayer is brilliant: Unable to remember the Lord's Prayer, he quickly falls into a mantra to God to keep Hypatia away from Orestes. For his part, Orestes will renounce paganism and convert to Christianity during his rise in Roman politics." - More: Reuter

Hypatia was the daughter of Theon, who was her teacher and the last known mathematician associated with the museum of Alexandria. She traveled to both Athens and Italy to study, before becoming head of the Platonist school at Alexandria in approximately 400 AD . According to the 10th century Byzantine encyclopedia the Suda, she worked as teacher of philosophy, teaching the works of Plato and Aristotle. - More: Wikipedia

"Hypatia corresponded with and hosted scholars from others cities. Synesius, Bishop of Ptolemais, was one of her correspondents and he visited her frequently. Hypatia was a popular lecturer, drawing students from many parts of the empire.

From the little historical information about Hypatia that survives, it appears that she invented the plane astrolabe, the graduated brass hydrometer and the hydroscope, with Synesius of Greece, who was her student and later colleague.

Hypatia dressed in the clothing of a scholar or teacher, rather than in women's clothing. She moved about freely, driving her own chariot, contrary to the norm for women's public behavior. She exerted considerable political influence in the city."

"...[The local Christian bishop Cyril incited] a mob led by fanatical Christian monks in 415 to attack Hypatia as she drove her chariot through Alexandria. They dragged her from her chariot and, according to accounts from that time, stripped her, killed her, stripped her flesh from her bones, scattered her body parts through the streets, and burned some remaining parts of her body in the library of Caesareum." - More: About.com

So much for compassion and tolerance!

James Nares' Rome 78 screened at Anthology Film Archives in New York

Not far into Rome 78, James Nares's unlikely rendering of a sword-and-sandal costume drama on the minuscule format of Super-8 sound film, two soldiers clad in armor and togas lean against what one might generously imagine to be the walls of the Roman Senate, but is more likely a cheaply renovated East Village apartment. The pair discusses the increasingly erratic actions of Emperor Caligula without the genre's usual pseudo-Shakespearean gravitas; they sound like two deadbeat downtowners bullshitting at a bar. "

Rarely screened, Rome 78—part of this week's James Nares retro at Anthology Film Archives—has nevertheless built up its own aura over the years, no doubt due to its subcultural provenance. The cast includes a crowd that the British-born Nares remembers today as "all sort of downtown personalities": James Chance and Pat Place of the Contortions (for which Nares himself played guitar), fellow musicians John Lurie and Lydia Lunch, club heroine Patti Astor, television survivor Lance Loud, and filmmaker Eric Mitchell. Today, Nares is best known as a painter: His large-brush abstractions partake of a coolly controlled happenstance that one might faintly relate to Rome 78's more ragged insouciance.

Punctuated by in-camera flash-frames, off-kilter shots, and inappropriate laughter, Rome 78 (1978) embraces shabby-chic as a formal objective. Nares mocks up Ancient Rome by shooting in faux-classical sites like Grant's Tomb and Tribeca's American Thread Building, where a decrepit penthouse loft with a peeling-paint dome serves as an echoey stand-in for the imperial palace. The latter location required ingenuity: Posing as potential renters, Nares and associates asked the manager to show them the apartment, then unlocked the windows on the way out; a few hours later, they broke back into the space, full cast and crew in tow, to shoot the necessary scenes.

At every moment in the film, New York circa 1978 bleeds uncontrollably into a flimsy pretense of first-century Rome. Scheming courtiers allude to intrigues in Gaul, Brittany, and the Lower East Side; Mitchell chain-smokes while seducing a black-lingerie-clad Lunch on a zebra-skin rug; the Emperor himself—astonishingly portrayed by twitchy, gap-toothed ectomorph David McDermott—declares his own divinity at Grant's Tomb by screaming above the honks and engine rumbles of the West Side Highway.

Seen now, Rome 78 collapses three layers of dead civilization: The script conveys the waning days of the Roman imperium; the sets evoke the Empire State's 19th-century robber-baron capitalism; and the cast memorializes the last days of urban bohemia's counter-kingdom. "I don't think I was the first to draw a connection between the Roman Empire and the American empire," Nares states. "At that time, it really felt like things were falling apart. A real 'decline and fall' seemed very obvious, with the blocks of abandoned buildings and so forth. It was an easy call, really . . . .

"It's my only attempt at a narrative film with actors. It has its moments—quite funny at times, quite beautiful at times, too.

Role of Evie Recast in Mummy 3: Tomb of the Dragon Emperor

September 11, 2007 - Actress Maria Bello is best known for appearing in serious arthouse films such as A History of Violence and The Jane Austen Book Club rather than effects-heavy Hollywood popcorn flicks, but all that will change next summer when The Mummy: Tomb of the Dragon Emperor opens.

Bello, who takes over as Evelyn Carnahan from Oscar winner Rachel Weisz, even dyed her trademark blond locks auburn for the Rob Cohen-directed actioner. The actress says her version of Evey, wife of adventurer Rick O'Connell (Brendan Fraser), will be tougher than Weisz's bookish heroine.

"She has the same name, but she's a very different character than Rachel played," Bello informed Sci Fi Wire at the Toronto International Film Festival. "She's a bad-ass action chick. I had to train a lot. I had to do wushu, a martial-art form, some kickboxing, swordfighting, rifle training for a couple of months before we even started shooting."

Pompeii film delayed, Roman Polanski withdraws

"Oscar-winning director Roman Polanski has pulled out of a screen adaptation of Robert Harris's best-selling novel Pompeii, reports say.

"I put a lot of work and energy into the development of Pompeii, so it is not without regret I have to decline my further involvement," he said.

Filming of the $130m (£64m) movie was to have begun in Italy this summer.

According to Screen Daily, however, the 74-year-old film-maker was unable to commit to a postponed shooting date."